21st of September 2011
 
Roy LichtensteinEntablature1975Magna, sand, Magna medium, aluminum powder on canvas60 x 90 in.

“The entablature is an architectural element resembling a band or molding  lying horizontally above the columns of a building. Originating in the  architecture of ancient Greece, the motif was also abundantly  represented in America in the early twentieth-century Beaux-Arts and  Greco-Roman revival style used for public buildings such as museums and  libraries. Lichtenstein’s Entablatures comprised of a first series of  paintings from 1971-72, followed by a second series in 1974-76, and the  publication of a series of relief prints in 1976.” [source]

At The Paula Cooper Gallery, on view through October 22, 2011.

Roy Lichtenstein
Entablature
1975
Magna, sand, Magna medium, aluminum powder on canvas
60 x 90 in.

“The entablature is an architectural element resembling a band or molding lying horizontally above the columns of a building. Originating in the architecture of ancient Greece, the motif was also abundantly represented in America in the early twentieth-century Beaux-Arts and Greco-Roman revival style used for public buildings such as museums and libraries. Lichtenstein’s Entablatures comprised of a first series of paintings from 1971-72, followed by a second series in 1974-76, and the publication of a series of relief prints in 1976.” [source]

At The Paula Cooper Gallery, on view through October 22, 2011.

(Source: artdaily.org)

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