25th of October 2011
 
Francis Campbell Boileau CadellInterior: The Orange Blind Oil on canvasCirca 1927111.8 x 86.4 cm Glasgow Museums, Art Gallery and Museum, Kelvingrove. Hamilton Bequest              1928.

This autumn the Scottish National Gallery of Modern Art launched the first in an annual series of exhibitions devoted to the  Scottish Colourists. The Scottish Colourist Series: FCB Cadell is the  first major retrospective of his work to be held in a public gallery in  almost seventy years and brings together almost 80 paintings, from  collections across the UK, many of which have rarely, if ever, been  shown in public before. Francis Campbell Boileau Cadell (1883-1937) is one of the four  artists popularly known as ‘The Scottish Colourists’, along with S. J.  Peploe, J. D. Fergusson and G. L. Hunter. Cadell’s work is perhaps the  most elegant of the four: he is renowned for his stylish portrayals of  Edinburgh New Town interiors and the sophisticated society that occupied  them; equally celebrated are his vibrantly coloured, daringly  simplified still-lives of the 1920s, and his evocative landscapes of the  island of Iona. — ArtDaily

Francis Campbell Boileau Cadell
Interior: The Orange Blind
Oil on canvas
Circa 1927
111.8 x 86.4 cm
Glasgow Museums, Art Gallery and Museum, Kelvingrove. Hamilton Bequest 1928.

This autumn the Scottish National Gallery of Modern Art launched the first in an annual series of exhibitions devoted to the Scottish Colourists. The Scottish Colourist Series: FCB Cadell is the first major retrospective of his work to be held in a public gallery in almost seventy years and brings together almost 80 paintings, from collections across the UK, many of which have rarely, if ever, been shown in public before.

Francis Campbell Boileau Cadell (1883-1937) is one of the four artists popularly known as ‘The Scottish Colourists’, along with S. J. Peploe, J. D. Fergusson and G. L. Hunter. Cadell’s work is perhaps the most elegant of the four: he is renowned for his stylish portrayals of Edinburgh New Town interiors and the sophisticated society that occupied them; equally celebrated are his vibrantly coloured, daringly simplified still-lives of the 1920s, and his evocative landscapes of the island of Iona. — ArtDaily

(Source: BBC)

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